Buddhist vajra. Vajra - the secret weapon of the gods

In ajra - Indra's weapon, created from the bones of the sage Dadhichi, which was used in the fight against the asuras. According to the scriptures, a certain asura Vritra expelled Indra from Devaloka. Vritra possessed certain siddhis and could not be killed by any weapon that existed on earth. Therefore, Indra could not defeat him and, in turn, turned to Shiva for help, however, Mahadev could not help Indra in any way: Vritra was practically immortal. Then Indra turned to Vishnu, asking for help in the fight against the asura Vritra. , in turn, said that Vritra cannot be defeated by any earthly weapon, but if a weapon is made from the diamond bones of the sage Dadhichi, then Vritra can be defeated.

Indra went to ask for help from Dadhichi, who showed incredible compassion by agreeing to sacrifice his body to defeat the asura Vritra. Before leaving the physical body, Dadhichi wished to make a pilgrimage to holy places, and Indra directed all the sacred rivers to one area so that Dadhichi would not waste time on pilgrimage. After which Dadhichi left the physical body, and from his bones the devas created a unique weapon of its kind - the Vajra, with which they managed to behead the asura Vritra.

Vajra in Buddhism

According to the scriptures, Indra gave the Vajra, the unique weapon of the devas, to Shakyamuni Buddha when he achieved enlightenment. The Buddha, having accepted the weapon, bent the teeth of the Vajra and turned it into a scepter, so to speak, “buried the hatchet,” making it clear that violence against living beings is unacceptable under any pretext, under any circumstances and for any noble purposes. What does a symbol like “Vajra” mean?

“Vajra” is a symbol of the fight against internal enemies: attachment, hatred and ignorance. The Buddhist Vajra symbolizes determination and firmness on the path of comprehending the truth and overcoming the obscurations and tricks of Mara.

Vajra: meaning of the symbol- ‘masculine’. In rituals, the Vajra is used together with a bell, which, in turn, is a symbol of the feminine principle. The combination of the Vajra and the bell became a symbol of the union of compassion and mastery of skillful means on the one hand and the feminine nature of wisdom on the other.

The literal translation of the word “vajra” is ‘diamond’. Thus, the meaning of the Vajra symbol is ‘the value and indestructibility of the Buddha’s teachings’. Double Vajra means balance and harmony on the path of comprehending the truth, avoiding extremes. The Buddhist Vajra is an important attribute of religious rituals in Buddhism, along with the Ghanta or Dilbu - a ritual bell. The bell symbolizes the perfection of wisdom - Prajna-paramita, which is able to comprehend the emptiness of things. The Vajra is important in the symbolism of Buddhism.

Essence of Vajra in the pursuit of comprehending the truth and steadfastness on the path. The meaning of the Vajra symbol is closely related to the symbolism of the diamond - strength, indestructibility and purity. It was these qualities of the Buddha that led him to enlightenment and liberation from suffering. The Buddha's steadfastness and invincibility during meditation allowed him to withstand the daughters, demons and tricks of Mara, and the purity of the Buddha's thoughts motivated him to manifest colossal things towards living beings. He devoted his entire life to preaching the Dharma - the teaching of liberation from suffering and the causes of suffering, which remains relevant even after 2500 years.

Practical Application of the Vajra

In addition to the fact that the Vajra is a cult object in Hinduism and Buddhism, used to perform various kinds of rituals, there is also a more practical use of the Vajra. There is information about the use of Vajra in the field of torsion technologies. If you compare the model of torsion fields of an elementary particle with the device of the Vajra, you can notice the similarities between them. Thus, if there is a clear similarity between the image of the torsion fields of an elementary particle and the Vajra, then this instrument can be used not only in religious rituals.

To use the Vajra in the field of torsion technologies, it is necessary to make it from a metal that has high current conductivity. The design of the Vajra should consist of a resonance block and torsion dischargers. The length and width of the torsion block are in a ratio of 1:2. The arresters and the torsion block must be equal in length. The number of arresters is 4, the shape of the arresters is cross-shaped. The arresters must be placed parallel to the body of the resonant unit. The arresters must have pointed ends. The best option would be to make a Vajra yourself, but in practice this is unlikely to be possible for most people, so you can buy a suitable Vajra if you spend enough time searching. A Nepalese Vajra longer than 18 centimeters is best.

The very method of activating the Vajra lies in the field of esotericism, since activation requires human psychic energy. There are two methods for activating the Vajra.

The first is with the help of a mantra. But this knowledge is inaccessible, so this method remains possible only for a narrow circle of initiates, if there are any.

The second method is directly using human energy. The Vajra is taken in the right hand, with the help of concentration the energy is redirected to the hand and then to the Vajra itself and to the object that is the target of the Vajra’s influence. Thus, with the help of “qi” or “prana” in the human body, you can perform incredible miracles - cut stones, move objects many times greater than the weight of the person himself, or use the Vajra as a powerful weapon that is in no way inferior to the most modern weapons.

Mudra "Arrow of Vajra"

The vajra is the weapon of Indra himself and the mudra named after this weapon undoubtedly has miraculous properties. The Vajra Arrow mudra is used for heart diseases, as well as vascular problems, circulatory problems, hypertension and insufficient blood supply. The mudra is simple to perform, and anyone can easily master it, and the effect of performing the mudra is very effective even for chronic diseases.

To perform this, it is enough to straighten your index fingers and connect them together, and also connect the lateral surfaces of your thumbs to each other. The remaining fingers need to be intertwined. Keep the completed mudra at the level of the fourth chakra - anahata. In order for the mudra to be as effective as possible, a number of additional instructions must also be followed. While performing the mudra, you should turn your face to the east. Also, while performing the mudra, it is advisable to do a short meditation: close your eyes and imagine the color of the fourth chakra - green. You need to concentrate on the green color and hold the mudra, or concentrate your gaze on some green object.

You can further enhance the effectiveness of mudra by inhaling the aroma of geranium during practice. If all conditions are met exactly, the effect will be simply amazing. It is also important while performing mudra not to be distracted by extraneous matters - TV, reading, conversations, abstract thoughts. Otherwise, the effect of the implementation will be neutralized. It is advisable to perform the mudra several times a day for 5–10 minutes, but no more than 6 times a day and do not hold the mudra for longer than 45 minutes. The mudra harmonizes the energy in the area of ​​the anahata chakra and allows you to get rid of physical diseases, which are just the consequences of problems at the energy level.

“Vajra is the weapon of the gods,” this is what Buddhists say about an object quite strange in shape and design that came to us from the depths of centuries. Today it is one of the symbols of Buddhism, the name of which in Sanskrit means “diamond” or “lightning strike.” It is believed that it used to be a formidable weapon that belonged to the god of war Indra.

There is one beautiful legend explaining the origin of the vajra. Once upon a time, an unusual meeting took place between the wise and peace-loving Buddha Shakyamuni and the lord of wars, Indra. Buddha, with his equanimity, angered the warlike god, and Inda, in a fit of rage, pointed his scepter, crowned with sharp knitting needles, at the sage. In response, the wise Buddha connected the knitting needles filled with anger into a lotus bud, and this is how the vajra appeared - a peaceful symbol of Buddhism, which retained the indestructible power of the weapon, but directed it into the creative channel of love and compassion for one’s neighbor.

The object really looks unusual: the base located in the center is called dharmata, from which five spokes diverge, connected on both sides. These five spokes symbolize, on the one hand, the five mortal sins that destroy the soul - desires, hatred, illusions, greed and envy, which were “inherited” from the formidable Indra. On the other hand, these are the five wisdoms of the Buddha, which help to achieve nirvana - individuality, contemplation, the wisdom of reality, calmness and the wisdom of compassion. Thus, the vajra balances evil and good in the world.

“Mere mortals” used the vajra in rituals throughout the Asian world from India and Nepal to Japan and Korea, but the ritual use of the vajra is only one of the assumptions.

Some researchers consider the vajra to be the most common type of personal weapon of the ancients, something like a shoemaker's knife, which the heroes of Russian classical literature of the 19th century always carried with them. But there are also very interesting and original interpretations. There is, for example, an opinion that the vajra is not a ritual object at all, but a very specific weapon that belonged to representatives of an ancient civilization that was significantly superior to ours in terms of technical development, but became a victim of a large-scale cataclysm.

To try to understand the device and the principle of its operation, you need to turn to knowledge of physics. According to one theory, the vajra reproduces the geometric model of the torsion fields of an elementary particle. If you believe this theory, then the base of the vajra is a resonant block, and the bent spokes are nothing more than torsion dischargers.

It is believed that the vajra works on the psychic energy of the operator, that is, the human torsion field. You can activate the vajra using a special mantra, which tunes a person’s torsion field to a certain frequency and activates the vajra. Unfortunately, this mantra has not yet been solved.

Judging by the ancient descriptions, the range of uses of the vajra was wide: from constructive, “cutting rocks,” to destructive, “destroying armies and entire cities.” Ancient texts attribute these abilities to the ancient gods. What if, indeed, these were not gods at all, but ancient Atlanteans who knew much more than us, and all our discoveries and technologies are the Stone Age, compared to them!? Imagine, what if, God forbid, our civilization perishes in another cataclysm, and all that remains of us are meager memories, which over time will turn into legends and myths, and future researchers who will find, for example, a miraculously surviving IPhone caked in lava , will draw the following conclusion: the ancients used this thing to crack nuts.

"Clip consciousness." This is the “disease” of modern man. It arises as a result of the fragmentation of the “disk” (brain) with information garbage. A person can no longer generalize data and build a single sequence from them. Most people don't remember long texts. They do not see the connection between historical events separated in time, because they understand them figuratively and in fragments.

Having learned to think in clips, a person began to put together a mosaic of the overall picture from small pieces. Now he does not have time to move away from the created picture and look at it from afar in order to see the whole picture.

To prevent the computer from falling into such a state, it is defragmented, that is, files (data) are redistributed on the disk (history) so that there is a continuous sequence.

Visual information conveys much more information than 1000 words. And sometimes such information is even more accurate. You can't buy your eyes on poetic metaphors and pseudo-scientific terms.

One day I came across a photograph of a bas-relief of Mithra from Modena.

In Mithra's right hand there is some object. I have not seen this bas-relief, but I saw a similar object in the hand of the statue of Zeus. The guide said it was “lightning.” Like Zeus - the thunderer! To the question: “why is lightning of such a strange shape?” the guide froze, and then said that it was impossible to convey the thunder and flash of light, because the marble was fragile...

Maybe. I do not argue. So, Zeus, after a couple of thousand years, handed over this object - the "lightning" - into the hands of Mithras. However, this device has not changed in any way externally. And if this “lightning” was drawn in the same way only by the Romans and Greeks, then this could at least somehow be explained. But how can we explain that exactly the same object is held in the hands of the gods of the Assyrians, Babylonians, Sumerians, Egyptians, Hindus and Chinese? Moreover, with a time difference of thousands of years and kilometers. Should this device be at least somehow different in the hands of completely different gods and at completely different times?

Here's the item:

Why do lightning occur? There are many versions. And if we assume that everything is clear with ordinary lightning and “linear lightning is just a long spark” (Lomonosov), then few people understand what ball lightning is. Scientists even divide them into species and subspecies, like animals.

To be honest, not everything is clear with ordinary (linear) lightning. I read here about the physical properties of lightning and realized that this phenomenon is still only at the stage of study, and what’s even worse is that scientists are already beginning to understand the futility of their efforts.

And there are also “rosary” lightning. They look like they are made of beads with constrictions - rosaries, hence the name.

Science does not know what “presses” lightning. This could not be repeated in laboratory conditions. In principle, it has not yet been possible to reproduce ordinary lightning in laboratories.

Sometimes the behavior of lightning is generally difficult to explain. There are many examples. You can Google it. For example Roy Sullivan. He was struck by lightning seven times. He had already begun to protect himself: he wore rubber boots and did not take metal objects with him. But in the end he hesitated and during another thunderstorm he committed suicide. And what? Lightning struck his grave. I'm not kidding. This is a real story))

It is possible that similar cases in ancient times provoked people to come up with all sorts of stories about their origin. But, if you consider that such cases are very rare, then this option disappears. This myth is too common. There are other hypotheses that lightning is the nervous system of the planet, and ball lightning is the immune system. But no one has yet undertaken to prove this.

Therefore, the Thunderer Zeus is quite understandable and there is no need to condemn people for inventing him. instead, you need to look at it all from afar.

What could be easier than drawing zigzags, thus expressing lightning? In principle, this is what they did when they wanted to show a thunderstorm. But if they were drawing gods, and not just thunderers, then in their hands there was no longer a zigzag, but some strange object.

This item consists of three to nine rods. One central one is straight, the rest are curved at the ends and are located straight around. One or two spherical centers on the “handle” are also depicted.

This item can be seen everywhere: in sculptures, frescoes, on clay, on stone, on coins. In completely different places on the planet. It was as if everyone had conspired to portray him this way. Or... they had a sample. After all, in order to depict something with such repeatable accuracy, this “something” must be seen.

These images can even be found on petroglyphs:

The ancients clearly saw this weapon item. This is not the fruit of the imagination of artists who did not know how to draw lightning. It's something they saw. The fact that this is a weapon is clear from the description of its use. The gods could strike enemies with both linear lightning and throw “fireballs.” He could also be a tool. For example, cutting, like a drill or a lagund.

As a result, any design of any good weapon is usually kept secret. And “lightning” is no exception. The gods did not reveal their secrets to the slaves.

In Buddhism and Hinduism this object is called Vajra, or Rdorje (Sanskrit vajra, Tibetan rdo rje). Translated, these words mean “lightning” or “diamond.”

Information from modern dictionaries and encyclopedias:

- The vajra - a short metal rod, which has a symbolic analogy with a diamond - can cut anything, but not itself - and with lightning - an irresistible force.
- In Hindu mythology - a jagged disk, the thunder club of Indra
— The Vajra is the magical staff of the Initiated Adepts
“It was forged for Indra by the singer Ushana.”
— The Vajra was forged for Indra by Tvashtar
- It is made from the skeleton of the sage - the hermit Dadhichi.
— There is a version that originally the vajra symbolized the phallus of a bull.
— Vajra was associated with the sun.
— The fourfold or crossed vajra has symbolism close to that of the wheel.
— The Vajra represents the five bodies of the Dhyani Buddhas.
— Vajra means skill, or Upaya.
— The vajra symbolizes strength and fortitude.
— The vajra symbolizes the masculine principle, the path, compassion.
— The vajra is interpreted as a sign of fertility.
— The Vajra embodies absolute and indestructible existence, as opposed to the illusory idea of ​​reality.
— Vajra in combination with a bell implies the fusion of male and female natures.
— The vajra symbolizes the indestructible state.
— Vajra is a symbol of the luminous indestructible nature of the mind.
— The vajra is a symbol of the Buddha's power over evil spirits or elementals.

That is, a vajra is a simple and necessary household item.

I would like to remember again about those who like to compare everything with a phallus. One of the points at the top if you read carefully. It seems that a certain art critic climbed high into the Tibetan mountains with his translator, where he found an enlightened lama, whom he began to torture, saying, “tell me, what kind of bullshit is this vajra?”, and the lama, who took an oath not to talk about the hidden, I just showed them the well-known American “fuck.” The translator translated as best he could, and the art critic wrote down: “The Vajra symbolizes the phallus. And bullish.” Although there may be a more truthful story behind the origin of such a statement.

Be that as it may, it is difficult to imagine how Indra kills the giant snake Vritra with an ordinary, albeit bull, penis. As I already said in another topic, art critics generally have a strange fantasy about this. All they have is a symbol of the phallus. And for greater truthfulness they add a word-connection - “represents.” Perhaps Muldashev actually found a real vajra in India, but what you see in the photos above are just models. As they say, the safety is removed, the bolt twitches, but... does not fire. Although it can hurt.

Let me remind you of one incident that happened to the aborigines of one island, which the Americans left after the Second World War. The Aborigines began to build airplanes from straw. The planes were very similar, but they didn't fly. But this did not stop the aborigines from praying for these planes and hoping that the “gods” would return and bring even more chocolate and fire water. In the world such cases are called “cargo cult”

It’s a similar story with “vajras”. Having read manuscripts and seen enough ancient sculptures, the Hindus seriously tried to use them as weapons in battle. Like brass knuckles. They even called some of their brass knuckles vajra mushti. But, most likely realizing that the vajra would not achieve any particular superiority over the enemy, they modified it. Apparently this is how the “six-footers” appeared

But the six-footer is also not particularly perfect. A regular iron mace is much more effective. Therefore, the shestoper can hardly be called a weapon. Rather, it is a symbol of weapons. Weapons with meaning. For example, the vajra model is a symbol of an ancient weapon that emits lightning. And the shestoper is the staff of military commanders.

But this ancient thing should work not only as a bell for meditation, and therefore they made a knife out of it. And a knife is a knife. They can do more than just kill.

By the way, this is the original. In the movie "Shadow" with Alec Baldwin you can see a flying version of this knife.

In simple terms, if something barks and bites like a dog, and it looks like a dog, then it is a dog. But if it does not bark, does not bite, and is called a dog, then it is a model of a dog, a stuffed animal, or a sculpture, but not a dog.

Could a dog model be a dog itself? That is, will it perform the same functions? Why do you need a dog? To protect. Why did they create those “cast gods” that the Scriptures speak about quite clearly?

I read somewhere that the form itself still has an impact on the content. The article wrote about the “cardiola”, a body of rotation, which in 3-d form has a cross-section of the “heart”. And the type of liquid that is poured into it acquires special properties. By the way, the same applies to the pyramids. You can find a lot of information that if you put something in the center of the pyramids, a miracle happens. One guy even patented a method for an eternal razor blade, which, when placed in a pyramid, does not become dull. I haven’t checked, but everyone can be convinced that the domes of the churches are similar to cardiology and are made according to the principle of vajra-lightning.

Or here's another one. This is a familiar thing to everyone. Crown. Symbol of power. The oldest image of a crown is Sumerian.

Take a closer look. This is the same “vajra”. The main thing is that it doesn’t matter whether it is an Italian crown, a Spanish, Austrian or a Jewish “Torah crown”, which is in the last photo. The basis is the same design.

He is the One who shows you lightning (Qur'an 13:12)

So, what did the gods have in their hands?

The northern gods had their own “lightning” of a very original shape. "Thor's Hammer"

It looks like this:

Looks like a stun gun.

This is the oldest symbol of Lightning and Heavenly Fire. It is known throughout northern Europe. This is the Thunder God Weapon. Hammer.

The German Donar-Tor called the hammer “Mjolnir”. the origin of the word is considered unknown. Etymologists distinguish the Icelandic word milva (to crush), the Lithuanian malti (to grind) and the Welsh mellt (lightning). The Russian “lightning” is also mentioned, but is not considered the main one. Most likely because the Russians copied Perun (the Russian version of the thunder god) from the Lithuanian Perkunus. Therefore, "Mjolnir" most likely comes from the Lithuanian "malti" rather than from "lightning". Logical...

Thor is the son of the highest god of the Aesir, Odin. Master of Thunderstorm and Lightning. Rain and wind obey him. His mission is to fight the giants Thurs. Giants are the oldest race, descending directly from Chaos. Giants are the opponents of gods and people. And in this war, Thor's hammer - Mjolnir - is the most powerful and important weapon.

This lightning was made by a certain Brokk from a race of dwarfs who were once created from the blood of Ymir. Brokk also built other high-tech “innovations.” For example, Odin's spear - Gungnir or the ring Draupnir.

The “technical characteristics” of this “Mjolnir” class device include the return of “lightning” back to the owner. That is, like a boomerang, God threw lightning at the target, and it reached the target and returned to the owner. If we remember that lightning begins to move in the form of ionized “leader” particles and returns as a spark discharge (source), then there is nothing contrary to physics in this story. Everything is fine. The ancients did not fantasize. They 100% knew about the properties of lightning firsthand.

The myths say that when the god Thor dies in the battle with the Midgard Serpent in the “End Times,” the joy of the evil forces will not last forever. The Lost Hammer will be found by the children of Thor. This will be the beginning of “New Times” and the gods of Light will reign again.

Below, in the photographs, are coins from different countries of the Mediterranean region. Dating from 500 to 200 BC. e. The lightning vajra is clearly visible on all coins. There are very, very many such coins. This means that in the ancient world everyone knew perfectly well what it was and understood the meaning of this object.

Notice the lightning bolt on the last coin. Doesn't remind you of anything? This is the “lily” - a heraldic symbol of the power of European kings. What does she have to do with everything?

Let's look at two of them:

In the left photo the “lily” is slightly older than the one on the right. Does this look like a lily? Most likely this is some kind of device. For example, this sign never seemed like a flower to me. And I’m not the only one. The lily is so unlike a lily that some even considered it a special Masonic sign, which is more correctly viewed upside down. And then we’ll see a bee. William Vasilyevich Pokhlebkin wrote that the lilies of European courts are of eastern origin, “as a permanent, indispensable element of ornament, often reproduced on expensive fabrics. It was these fabrics, and then expensive clothes that came through Byzantium from the East to Europe, that already in the early Middle Ages introduced European feudal lords, the main consumers of luxury fabrics, to the lily.”

The right image is stylized. Since 1179, under Louis, it was included in the coat of arms of the French kings and this version of the lily became the main coat of arms of the French monarchy. The official name of this lily on the French Bourbon coat of arms is... fleur de lis.

Well, what kind of ornament was on the fabrics that were imported to Europe? And here it is, something like this:

The most common medieval ornament on oriental fabrics was the “vajra,” which Europeans mistakenly took for a lily. That is, the Europeans forgot about their “lightning” and accepted the eastern vajra as a symbol of power. Moreover, they considered the weapon of the gods to be a lily flower. But are historians telling the truth that the Europeans were mistaken? Why would Louis, who personally led troops on a crusade and was not at all sentimental, paint flowers on his shield?

Quote: Within Buddhism, the word “vajra” began to be associated, on the one hand, with the initially perfect nature of awakened consciousness, like an indestructible diamond, and on the other, with awakening itself, enlightenment, like an instantaneous clap of thunder or a flash of lightning. The ritual Buddhist vajra, like the ancient vajra, is a type of scepter that symbolizes awakened consciousness, as well as compassion and skillful means. Prajna and emptiness are symbolized by the ritual bell. The union of the vajra and bell in the ritually crossed hands of the priest symbolizes awakening as a result of the integration of wisdom and method, emptiness and compassion. Therefore, the word Vajrayana can be translated as "Diamond Vehicle". (club.kailash.ru/buddhism/)

No matter what people tell us, the original meaning of the word vajra is a weapon. Why some people constantly take the topic to the wrong place is not entirely clear.

The crowns existed in parallel. These, for example, are of Sumerian origin. The Jews took this type of crown from the Sumerians, and the Christians adopted it from the Jews. It `s naturally.

But the barbarians had other crowns. Like these ones:

Take a closer look. If the “imperial” crowns exactly resemble a vajra, then the “royal” crowns are very similar to Thor’s hammer. Compare for yourself.

GALLERY

Sumer

Babylon

Vajra (Sanskrit “lightning”) - the weapon of the god Indra - a trident scepter. Indra (Sanskrit - the name probably means Lord, strength, fertility), the central character of Vedic mythology, the god of thunder and lightning, warrior, patron of the military squad, leader of the deva gods in their beginningless war with the asura demons, the embodiment of military valor and recognized "king of the gods", later one of the main guardians of the world (lokapala), responsible for the east. One of the Aditya brothers. Wields Vajra. Defeated the demons Vritra and Bala.

The origins of the image of Indra go back at least to the period of the Indo-Aryans in Western (Anterior) Asia, to the middle of the 2nd millennium BC, since the deity Indara was known to the Mitanni Aryans.

In Indian mythology, Vajra was known long before Buddhism as the thunder ax of the god Indra and a number of other gods. Its epithets: copper, gold, iron, stone, with 4 or 100 corners, 1000 teeth.
In Hinduism, the vajra can be double or quadruple.
She was credited with the ability to cause rain and be a symbol of fertility.
In Buddhism, the appearance of the Vajra is as follows: a beam of lightning intercepted in the middle with curved ends (single, double, triple, cross-shaped versions are known).

Due to the importance of the symbolic meaning of the Vajra, this symbol spread along with Indian religion and culture to the rest of Asia. The vajra is used as a symbol in India, Nepal, Tibet, Bhutan, Siam, Cambodia, Myanmar, China, Korea and Japan.

By the way, I saw a similar bell handle somewhere. I can't remember where.

WAD-JRA.
Translated from Sanskrit, this word means both “lightning” and “diamond”.
The vajra is a club or scepter and symbolizes strength and indestructibility.
It can be interpreted as one of the images of the world axis, recording the influence of the upper world on the lower one.
If we consider the entire composition, we can say that in the Vedic tradition of the Aryans of Hindustan, this symbol was a stable sign of victory, an image of a magical invincible weapon that crushes evil - the “vajra”, which is traditionally depicted in two ways.

The most common medieval motif in the design of oriental fabrics was the “vajra”, mistaken by Europeans for a lily. If you look more closely at the right example, you will clearly see a quadruple, cross-shaped vajra.
Let's look at the traditional heraldic image of the “lily”. On the left is a more ancient view. In my opinion, both the primary and classical images look much more like a vajra than a lily.

The symbol of the vajra is found everywhere, and specifically in the sense of throwing weapons.

In different Slavic traditions there are different interpretations of this symbol. However, it is everywhere associated with warriors and battle, starting at least from the times of the Varangians and Rurikovichs and ending with the current coat of arms of Ukraine. For example, a very similar sign is used in the tradition of the Zaporozhye Cossacks - Spas. One of the common names for the symbol is “Falcon Strike”. It is worth remembering that “rarog”, where the name Rurik came from, means both simply a falcon and the phoenix avatar of Svarog - the creator of fire. Perun (the thunder god, like Indra) is also associated with the triglav - the same trident. Perun's symbol:

Figures of the tops of ancient Slavic banners and identical symbols on the Dnieper belt plaques:

Vajra. Jurchen. XIII century

Thus, we get that the images of the vajra mean a throwing weapon - a “rod that throws lightning” throughout the entire area of ​​\u200b\u200bthe Aryan settlement, and far beyond it. That is, even before the settlement of the Aryans, such an object was associated among people who had just discovered iron with “throwing a beam of lightning.”

By the way, here is the coat of arms of Vyatka on the seal of Ivan IV. Although everyone says that this is a bow, it, like the arrow, is, to put it mildly, strange.

vajra other-ind. vbjra; Skt.. vajra - “diamond”, “lightning” dorje, dorje - Tib. - “more expensive” zhu-i - whale. nyoi - Japanese. Diamond, Diamond wand (scepter), Diamond mace, Thunder Mace, Diamond shine, “Dharma thunderclap”, “Devil's finger” - sometimes called so in India and Tibet, “noble stone”, “indestructible”, lightning

One of the main symbols of Buddhist iconography, it means the spiritual power of buddhized (indestructible) inspiration, which illuminates the illusions existing in the world. She is a symbol of order, masculinity and eternity. In conjunction with the bell, it is the illumined mind, whose note is the sound of eternity, perceived by the pure spirit within the entire universe.

She is also a diamond, an instrument of knowledge, an instrument of the Word, of intellect.

Vajra, the Tibetan symbol of “lightning and at the same time diamond,” is also associated with the axis of the world (22); but if the cross and crucifix, steps and sacrificial pillar serve as symbols of man’s desire for the heavenly world, then lightning expresses the opposite: the action of the upper on the lower. It also correlates with the gaze of the “third eye” of Shiva, the destroyer of all material forms.

A symbolic and ritual object used equally in Hinduism and Buddhism. Originally, it was the weapon of the Vedic Indra, with which he crushed the clouds and released rainwater from them.

The Vajra is closely associated with the symbolism of the diamond (due to its purity and indestructibility) and the creative-destructive power of lightning. The simultaneous presence in the symbolism of the vajra of the images of lightning and diamond is, perhaps, based on the formation of durable metal-like substances - a “synonym” of precious stones when lightning strikes the ground. Cosmic symbolism can also be traced in the structure of the vajra: its handle personifies the world axis, stretching between Heaven and Earth, represented by two similar ends of the vajra.

In a general sense, they symbolize indestructible firmness, steadfastness of spiritual power, compassionate wisdom, spiritual strength, enlightenment, as well as a person whom nothing can “limit” or disturb. Suppresses all evil desires and passions, is indestructible, but is capable of destroying everything, even the indestructible.

Separates symbolism and functions:

• scepter,
• wand,
• staff (partly).

The double vajra comes close in its symbolism to the wheel.

Basic values:

• divine power of teaching, transcendental truth and enlightenment;
• male active force in connection with the female passive principle - a bell;
• double (cruciform) - balance, harmony and power.

In combination with a bell: they represent

• method and wisdom;
• compassion-based activities;
• supreme bliss;
• seven positive and eternal virtues.

Symbolized:

• trident, double trident - Hinduism, Buddhism;
• ram's head - Tibet;
• The vajra, like the dorje, can be depicted in the form of an iris.